took my little 2009 digicam to bar mini in washington dc last month.
the experimental cocktails here are absolutely incredible.
took my little 2009 digicam to bar mini in washington dc last month.
the experimental cocktails here are absolutely incredible.
I’m not normally a year end review kind of person but I have been thinking about all the photos I’ve made this year & wanted to reflect on the ones I’m most proud of. these are probably not the best technical photos ever made, but they are images that I thought “that’s rad” when making & look back on fondly.
they run the gamut from landscapes to street photography & were made on a variety of cameras in a range of locations & on different formats, though I’m a bit surprised to realize there isn’t much film in the mix. I think this year I learned that the camera & the gear matters less than I believed it did when I first got back into photography even if I did still buy a whole new setup this year (the fujifilm xpro3) which I still haven’t fully explored.
here’s to more adventures in 2024!
medusa, the patron saint of not giving a fuck.
happy yule from this groovy gang.
hiked the narrows in zion national park this past summer & did not enjoy it! the canyon is stunningly beautiful but hiking in water is not my cup of tea. twisted my ankle & fell in the water more than once.
“the narrows” are the narrowest section of zion canyon and the name refers to either the 3.6 mile bottom-up hike or the 16 miles top-down route. it is one of the most popular hikes in the national park.
where do you go when there’s nowhere to go?
installations from bombay beach on the shores of the salton sea.
bombay beach was a popular getaway until the 1980s when the increasing salinity & receding water line of the salton sea destroyed the lake’s ecosystem & drove away businesses. bombay beach remains with a population hovering around 200 & is the lowest community in the united states at 223 feet below sea level. it has been undergoing a renaissance in recent years as artists & intellectuals have moved in. the town is now home to numerous art installations & the annual bombay beach biennale.
spent a little time at the poetry house in bombay beach, along the salton sea in southern california. salton sea is one of my favourite places in the whole state & the art installations throughout the town of bombay beach are otherworldly & poignant surrounded by the silent desert & lightly lapping waters.
lomochrome turquoise in joshua tree.
I love bringing this film to the desert.
pentax auto 110 super // lomochrome turquoise 110
brought out my camcorder on my summer hike through the narrows in zion national park. I didn’t much enjoy the hiking – walking in knee deep (or higher!) water is not for me – but I did at least enjoy the scenery. I will continue to love slot canyons, but more when the water in them has long since disappeared.
attended a fun photo walk / meetup with other woman & non-binary identifying photographers in santa monica this past weekend hosted by not your grandma’s camera club. I used it as an opportunity to play with my new (to me) fuji 35mm f1.4 lens. this lens has a kind of mythic cult following amongst fuji lovers & is well known for it’s “character”. I certainly have not figured out how to get the absolute best out of it, but when I managed to hit the focus (& exposure, I’m also still learning the xpro3) the shots are really nice.
a couple shots from a night out in downtown la with my 2009 casio.
a walk around the neighbourhood to clear my head with the fuji x30.
spent a day at disneyland & disney’s california adventure reliving childhood memories & eating dole whip with my sony bloggie mhs-pm5. I like the dreamy quality of the sony bloggie when the the light gets low, it becomes almost like a memory.
gold leaf.
it glows. wherever the light hits. your form leaves a darkened center when you stand in front of it. a shadow.
as you move around it, it changes. changes everything about itself. colour, texture, hue, dimension.
from the left it takes on the shape of paper time cards stacked beside a clock. from the right it smooths out like an expanding field of wheat. a sea of gold. far enough back it’s smooth & faint.
up close it becomes rugged, pocked with texture & moments of almost red scratched through. the lines, etched down to the canvas, become gashes across a face or the raised scars on a wrist. the moments of red… blood?
it undulates & the gold rolls as you tilt your head. between water & oil…
something else, mercury like & waiting to either poison you or wrap you in warmth.
I close my eyes. I can feel the gold on my face like the sun.
two mondays spent driving through the west to/from utah with a 35mm point & shoot.
en route to the spiral jetty at the great salt lake, we stumbled upon golden spike national historic park. the park marks the place where the two halves of the first transcontinental railroad in the united states met and features two working replicas of the trains which met here on may 10th 1869.
I’ve always loved street photography but never made serious attempts to try it. on my trip to nyc this past winter I was inspired by ming smith (I saw her show at moma while I was in the city) to try some black & white street shots using a new technique for me. I set my fujifilm x30 to all auto settings using a monochrome film simulation & shot from the hip without looking through the viewfinder. this was really exhilarating & something I’d never tried before. excited to try this way of shooting more.
when the wind comes
& we’re laughing–
like the creatures
we can’t name in the woods
sharp gasps & cackles
breaking against bark.
we summoned the wind &
it carries us
it calls to our souls
to slither into the dark
we made the wind
so that it could unmake us.
a walk through the mt. hood national forest with my digicam.